Bitter Root, a new comic series announced by Image Comics at Rose City Comic Con, promises an innovative approach to storytelling and social commentary. The story takes place in New York City during the Harlem Renaissance. It combines a monster hunting family with history and historical figures. Creators David Walker, Chuck Brown, and Sanford Greene collaborated before on Iron Fist for Marvel Comics and come together to produce this dream project. To Cure or Kill? The story follows the Sangerye Family of “purifiers” who have an ancient magic able to cure monsters of their infection. The family falls into a civil war with lines drawn between those
Motor Crush Rush Recently, I had the distinct pleasure of interviewing three comic book hotshots at Rose City Comic Con. Fortune favored me and I got a chance to talk to Brenden Fletcher, Cameron Stewart, And Babs Tarr about their latest offering from Image Comics: Motor Crush. When I went through the list of books available for interview, Motor Crush raced to the top because the premise seemed so unique and inherently feminist. Domino Swift is a woman of color competing in the dangerous world of moto racing. She lives her life perched between the official racing world, and dangerous street racing where she competes
After my last post, people may have the impression that I don’t appreciate Marston-era Wonder Woman, and I want to be sure that is cleared up. I appreciate Marston’s creation. I appreciate the complexity that he gave the character from the moment he created her. A simpler character most likely would not have endured 75 years and multiple writers and incarnations. I also appreciate that the fundamental principles (including compassion, seeking justice, and pursuing peace) present in her founding exist today. Certainly Marston’s stories rely on some elements that, through repetition, are the core of Wonder Woman, and without these she would be a different
From Academic to Fan The current political climate makes reading classic (i.e. Marston-era) Wonder Woman feel more relevant. To be honest, reading Marston-era Wonder Woman is tough for me. The stories share a formulaic structure and repeat the same themes: Wonder Woman saves America from the Axis of Evil and along the way encounters Steve Trevor so he can remind us that Wonder Woman is beautiful and an object of desire. I feel a much more immediately attached to the Wonder Woman of Azzarello and Chiang’s work and the Wonder Woman of Finch and Finch. Modern Wonder Woman is slicker, more direct, and more complex.
The internet has given us a great many things since its advent. Videos of furry animals, convenient online shopping mediums, and plenty of games that produce enough salt to stock the shelves of every major and minor grocer this side of the prime meridian. However, the medium of comic books and stories has flourished since we first connected to the information superhighway, spawning countless tales and ‘toons that have persisted for several years thanks to adoring fanbases. For some of these long-running works, it’s a sense of humor or endearing characters or engaging storyline that fastens its claws into readers. For others, it’s a realism
Recently I attended an event with Ph.D.s from around the country. As we shared our research interests I said, “Wonder Woman.” Some snickered. Some nodded. Some turned away. Wonder Woman? How is that a research interest? Some of them share my enthusiasm and ask me questions including, “Why doesn’t she ever get her own movie!?” To which I must awkwardly reply, “She did. It came out two months ago…” Fast forward five days where I stood in a comic shop behind a stack of Wonder Woman issues that I could barely see over. I rent a subscription from the man behind the counter, and I
Wonder Woman in America & Abroad Wonder Woman has been a hit of the early summer and while she has met with challenges in other countries, she has been America’s darling (again) for the last month. Wonder Woman has always had great popularity in the United States. She was created here, and her comics and stories are widely read here. Her creator, William Moulton Marston, created her to save America. In “The Origin of Wonder Woman” Athena tells Queen of the Amazons, Queen Hippolyte that, “American liberty and freedom must be preserved. … America, the last citadel of democracy, and of equal rights for women,
Please welcome to the site our newest ambassador, Katherine Olson. Katherine holds a Ph.D. in Interdisciplinary Studies from Union Institute & University. She is currently interested in Wonder Woman, feminism, and culture. For The Geek Embassy, she will be writing about comics, looking especially at the Amazon princess and other powerful female characters. Please welcome her to the site and enjoy this glimpse into her transformations through comic book narrative. ~Regina Transformations: From Betty and Veronica to Wonder Woman I grew up in a Betty and Veronica world. The convenience store near the housing projects where I lived stocked only Archie comics, so I read them. Even
Not Another Top-Ten List You can blame Facebook for this one. My friends and I had a lively Facebook discussion about Hugh Jackman, which, subsequently inspired this post. The recent release of Logan got me all nostalgic, thinking back on his universally-lauded performances as Wolverine for the last 17 years. My immediate reaction was to declare Jackman’s performances as the truest representation of a comic book character in film. But then people starting challenging me. What about RDJ? Ryan Reynolds? Chris Evans? Comic book movies have produced some brilliant performances over the years. Who is truly the best at bringing a character from page to screen?