Westworld’s “The Riddle of the Sphinx” is the strongest episode so far this season. Though it lacks both Maeve and Dolores, the focus on the mysterious machinations of the Delos corporation, the expanded capabilities of the host technology, and the increasingly murky timelines provides fascinating fodder for new questions and wild speculation. This is Westworld, after all, and that’s half the fun. Grab your tinfoil cowboy hats, ‘cause it’s time to get weird! The episode opens with a nice homage to Lost, executive producer J.J. Abram’s previous trip down the psychological rabbit hole. Much like Desmond in the hatch, we find James Delos living inRead More →

Westworld’s “Virtu e Fortuna” picks up the pace from last week. Just as its title references Machiavelli’s juxtaposition of virtue (or will) and fortune (or fate), the episode continues to explore the balance between the hosts’ programming and their new self-directed path. Dolores is well aligned with Machiavelli’s idea of a willful leader, but it’s the bittersweet glimpses of her humanity that stands out this week. That and, of course, the proper return — and expansion — of Team Maeve. The opening scene finally gives viewers a peek inside another park, “The Raj,” where Colonial India acts as an on-the-nose parallel for the entire DelosRead More →

Spoilers for Season 2, Episode 2 Most shows have their share of lackluster setup episodes and it seems that Westworld is no exception. The second episode of season two isn’t a major stumble, but it failed to leave the impactful impression that viewers have come to expect. Recovery is likely, but what’s worrying is that a lot of the drag seems to center around the primary protagonist. Are we reaching Dolores fatigue? Don’t get me wrong, I’m all for the revolution. Rise up, hosts! Let the women lead you. But, in a story about finding consciousness and identity, Dolores seems to have strayed from theRead More →

Westworld is back! It’s time to delve back into all those questions of self and consciousness and meeting your maker, to unravel the mysteries of the Delos corporation, and of course, to get our weekly dose of sex and violence. With the premiere of the second season, what’s exciting me most, though, is that this revolution — this brave new future — is overwhelmingly female. This is apparent from the get-go, in the gorgeous new credit sequence. The iconic image of the half-formed host in its circle of creation, once male, is now female. More obviously, the image of two hosts having sex has beenRead More →